Dear Reader
My search took me to specialist ateliers all over the world, where I became completely absorbed in the beauty of the vintage and reproduction lace I saw.
On my vintage wedding blog today, I'd like to share a little of what I learned and show you some beautiful examples.
The best lace is a blend of cotton and synthetic fibres. Cotton keeps its shape and colour over time and gives a firm feel and structure. Synthetic fibres add strength. This marriage of beauty with strength is perfect for recreating vintage wedding dresses.
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| 'Audrey' lace cover-up, from the vintage-inspired Heavenly Collection |
Lace first became fashionable during the 1500s, when all lace was handmade, and was highly prized for both men and women as it was so labour-intensive. An extravagant gentleman's lace ruff (popular in Elizabethan times) required over 40 metres of lace, which would take one person a whole year to make. No wonder it cost the equivalent of several acres of good land!
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| Ornate lace ruff, from a painting by Spanish Renaissance artist, El Greco |
Fashionable ladies made their own, and the skill of lace-making was a very desirable attribute in a wife! It continued as a rich lady's pastime or a 'cottage industry' for over 300 years, until the Industrial Revolution.
In the 1800s, lace-making machines were invented in England. Suddenly lace was available on a wider scale, and Nottingham became the lace-making centre of the world. My Butterfly and Angel dresses, below, use lace made specially for me by one of the oldest family firms in Nottingham. This original vintage style from the 1930s used to be called 'English Net'.
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| 'Angel' from my Heavenly Collection of vintage-inspired wedding dresses |
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| 'Angel' vintage-inspired wedding dress |
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| 'Angel' vintage-inspired wedding dress |
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| 'Butterfly' from my Heavenly Collection of vintage inspired wedding dresses |
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| 'Butterfly' from my Heavenly Collection |
By 1809 new machinery could replicate hand-made lace. But in 1813 came the biggest change of all: John Leavers invented the 'Leavers machine' in Long Eaton in the East Midlands. Lace became affordable, and a thriving industry sprung up making 'Leavers lace'.
Leavers lace is still the kind most used by couture houses, notably Dolce & Gabbana, Christian Dior, Etro, Yves St Laurent, Paul Smith and even Vivienne Westwood.
The next development happened when the Leavers machine was smuggled to France - broken up in parts disguised as scrap metal! This made lace even more popular as the French competed with the English lace industry, and created an amazing variety of patterns.
Today the French lace making industry is still centred around a small area of Northern France, in towns like Chantilly, Valenciennes, Alencon and Cluny. The industry has been kept alive by the passion of its local workers, who have stepped in to buy the machinery themselves when faced with closure.
In turn, the machines were sold to Far East producers and lace production in France was scaled back. Now the Far East creates wonderful lace too. Amazingly, all modern Leavers lace is still produced on the same machinery, invented 200 years ago!
And English lace has become a luxury once more, with just a handful of small companies producing it. For more on the modern English lace industry, there's an interesting BBC feature
here.
I've included some of my original vintage wedding dresses above, too, to show a variety of lace. Some of these are no longer available - but I always have lots of beautiful lace vintage dresses at my studio in West London (as well as my own collection of reproduction vintage dresses)
. Do come and have a look! To make an appointment, just contact me here.
Thanks to Abby at Cherished for the loan of her beautiful headwear, to the lovely Robert Lawler for photography. And to you, dear reader, for stopping by today!
Love
Helena
Heavenly Vintage Brides
